REBEL STANDÚN STUCK IN A RUT
by JOHN HENEGHAN
EAGLAIS NA gCATACÓMAÍ
by Pádraig Standún. Cló Iarchonnachta. 316pp. €16.00
THIS book is an apologia pro vita sua in which the author defines the Church of the Catacombs as the Church of dissent: those who cannot accept the official Church.
The introductory chapter gives us the same definition of his role as a rebel. However, in this regard Standún is not original - he is echoing the current intolerant criticism of the Church as evidenced in Shattered Vows by David Rice and Change and Decay: Irish Catholicism in Crisis by Brendan Hoban.
Chapter Two gives an interesting account of the author's youth in Mayo and how it pointed him in the direction of the priesthood.
Further on in the book he has rightly exposed the problems that existed in Maynooth - but he has used them as a propaganda tool to whip the entire official Church.
Tháinig scéalta chun solais i lár bliana 2002 a thugann le fios gur lú smacht arís, féinsmacht san áireamh a bhí ag Maigh Nuad sna blianta tar éis domsa é a fhágáil. (Page 182)
His clamouring for women priests despite the papal instruction that this is not a matter for discussion is a challenge to papal authority.
Tá a leithéid fireann nó baineann i ngach paróiste ar domhan. Cén fáth mar sin a bhfuil Pobal Dé fágtha gan Eocaraist? (Page 105)
Father Standún and his contemporaries find it difficult to accept that they are the greying generation and that their status as rebels has left them stuck in a rut. Time and the Church have passed them by.
Surely true liberals are not threatened by Traditionalists? (In fact they can accommodate both the Old Rite and the Novus Ordo despite its variation from parish to parish.)
In my Master's Thesis Pádraig Standún: Saol agus Saothar (unpublished, 1991) I accused Father Standún of a lack of depth in his work because of his use of literature instead of journalism as an instrument of propaganda. Alan Titley's An tÚrscéal Gaeilge subsequently altered my perspective on this when he pointed out that there are several types of novel apart from the classical mode from Cervantes' Don Quixote. Therefore any literary work can be described as a novel on its own terms.
In fairness to Pádraig Standún one must admit he has not hesitated to highlight the social problems of the Gaeltacht. However, while exposing the sexual problems is not a bad thing in itself, an obsession with sexual mores and their linkage with compulsory celibacy and child abuse is somewhat tiresome to the reader. (So too was the kind of smuttiness suggested by Budawanny, the title of the film of Standún's earlier novel Súil le Breith). Nevertheless, Standún must be given credit for raising these social issues.
However, from a literary perspective Eaglais na gCatacómaí is weak. As Breandán Ó Doibhlin, the eminent critic and novelist has pointed out: a novel must be assessed on its own merits: the author is irrelevant. Father Standún's elementary mistake is to confuse literature with life.
The Brandsma Review, Issue 76, January-February 2005
